by Jochen Becker / metroZones for the exhibition ‘Chinafrika.blackout’ at the Bi-City Biennale of Urbanism/ Architecture ( UABB) in Shenzhen, China (see details below text) 

Yu Gung Moves Mountains
“Today, two big mountains lie like a dead weight on the Chinese people. One is imperialism, the other is feudalism. The Chinese Communist Party has long made up its mind to dig them up. We must persevere and work unceasingly, and we, too, will touch God’s heart. Our God is none other than the masses of the Chinese people. If they stand up and dig together with us, why can’t these two mountains be cleared away?“

Four years before China was liberated, Mao recounted a utopian parable from the 4th century BC, in which a patient collective body is able to move mountains with merely shovels over a long period of time. It references the legend of the “foolish old man” Yu Gung, who wanted larger fields and access to the ocean. Generation after generation, his children and children’s children would continue his life’s work using hoes and baskets until both mountains have been removed: “When I die, my children remain; when the children die, the grandchildren remain… and so each generation will take over from the past one in an endless procession. These mountains may be high, but they can’t get any higher; they grow smaller with every bit that we take away: why shouldn’t we be able to remove them?” The emperor in the sky was impressed by Yu Gung’s work and endurance, and ordered that the mountains be carried off on the backs of two heralds.

Big Bang
After Mao’s death in 1976, colossal shifts became reality with a big bang. After Mao’s successor Deng Xiaoping came to power, the formerly tranquil fishing village of Shenzhen turned into a 15-million metropolis in less than 40 years. The spectacular blasting of Shekou Mountain sparked the establishment of Special Economic Zones (SEZ) and transformed the Pearl River delta into the “factory of the world”. The permanently repeating explosion is exhibited as a video installation at the center of the enormous Shenzhen city museum. One could say that all of metropolitan China became one special economic zone.

Ford Ruins
Established as “factory of the world” just decades ago, parts of Shenzhen are already being torn down again. Fordism – i.e. combining mass assembly line production, welfare state and standardized consumer goods – has entered into a new phase. Industries are being moved to the interior of the country, while badly needed living space is constructed in its place. As in the formerly industrialized Ruhr area in Germany, “creative industries” as well as educational institutions are meant to lead Shenzhen into a new, post-Fordist phase.

SEZ Export
Based on the Shenzhen model, Special Economic or Free Trade Zones are now being exported by Chinese state enterprises. In 2006, the Government of the People’s Republic of China announced that it would support the establishment of as many as 50 overseas “economic and trade cooperation zones”. Of the 19 zones approved so far, eight are on the African continent: Lagos (Lekki Free Trade Zone, Ogun Guangdong Free Trade Zone), Sambian Copperbelt (Zambia China Economic and Trade Cooperation Zone), Sambias capital Lusaka (Lusaka South Multi-facility Economic Zone), Egypt (Suez Economic and Trade Cooperation Zone), Mauritius Island (JinFei Economic Trade and Cooperation Zone) as well as Ethopias capital Addis Abeba (Eastern Industrial Zone, Bole Lemi Industrial Zone), etc.

Illuminated Fields
The “illuminated fields” evoke memories of the investment ruins in East Germany after the fall of the Berlin Wall, stretched out in an open green field with paved roads and lamp posts. It somehow reminded us while visiting the SEZs in Lagos or Sambia, as little industries are at work. Here, the future still seems open and the promise of not just extracting natural resources, but also refining them in the country has relevancy.
The Chambishi ZCCZ Zone was established as a Zambian/Chinese joint venture at the heart of the Zambian Copperbelt. In one of the few buildings already standing, we were led into a large, almost museum-like showroom with a giant A-380 hovering over future factory halls drawn onto the wall. In the Nigerian Lekki Free Trade Zone, there is a single Metal Piece factory as well as a projected truck assembly at work.
By contrast, the Huajian Group alone employs ca. 3,800 workers in the Eastern Industrial Zone in the outskirts of Addis Ababa. Ivanka Trump’s collections are produced amongst other things in a shoe factory there. The Ethiopia-China Dong Guan International Light Industry Zone is currently being built near Addis Ababa’s Chinese built central station, planned as a complete industrial town, with factory halls, worker accommodation and consumption zones.

Robots & Automation
As yet there are still workers in Ethiopian factories. But already Foxconn, known as a manufacturer of iPhones, plans to purchase 10,000 industrial robots. These robots could just as easily be located in the US, working day and night without union control in the darkness of a cellar and in immediate vicinity to their markets. With these fully automatic machines on site, lengthy shipment in containers from Shenzhen to San Francisco would be saved and “just in time” reactions to market shifts made quicker.
In northern Saudi Arabia a completely new economic zone called ‘Neom’ is in planning. Here machines, drones and robots will do the work instead of people. At the same time, the AI ​​robot “Sophia”, developed in Hong Kong, obtained Saudi citizenship.

Blackout?
“Despite the speed and scale of its urban development, Shenzhen has not experienced housing shortages, serious failures to provide basic infrastructure for most residents, or other typical symptoms of megacity urban blight” (Weiwen Huang on ‘Shenzhen Speed’). Compared to other boom-cities of the Global South, at least in China’s metropolises, there are no slums in noticeable proportions. However, the hukou system splits the rights between city dwellers and immigrants from the countryside.
Africa is referred to as the last major growth region in the world. By 2050, today’s population of one billion could almost double, with more and more people moving into the cities. The gap between the village and the metropolis paradoxically unites China and Africa. As in China, the migration pressure from the country to the African metropolises is massive and unbroken. However, in the fast-growing urban centers on the African continent, little is being invested in housing or public infrastructure, so that the everyday life there, shaped by informality, will become even worse. The use of cement per capita in Africa is less than 50 kilos, while in China 1,737 kilos and in Europe 230 kilos are consumed.

And what might be the future of a “chinafrikan” industrial situation? On the one side, we will see dirty mining by individuals in the Congolese copper belt, digging deep with a shovel on high individual risks – and on the other side the future robotic-automated industrial parks. Both are in deep darkness: Only with a bad light under ground for the artisanal miners, or the work of robots as well as data and other logistic spaces or the bellies of a container ship/plane, which are running with no need to have light.

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‘Chinafrika.blackout’ Ehibition List for UABB

Duration: December 15, 2017–March17, 2018
Main Venue: Nantou Old Town, Shenzhen, China

Di Fang 2017 The Destination to Promising Land
Bodil Furu 2017 The Letter
Christian Hanussek / Gerda Heck 2017 Guangzhou Mapping Wallpaper
Huang Xiaopeng 2017 One step forward, two steps backward
Elke Marhöfer / Mikhail Lylov 2015 Primate Colors
Stary Mwaba 2014 Copper, Cobalt and Manganese Cabbage
Adam James Smith / Song Ting / Wang Qihan 2014 The Land of Many Palaces

Guangzhou Working Group (Di Fang, Huang Xiaopeng, Lu Shan, Luo Xiye, Payne Zhu, 3d group)

Jochen Becker 2014-17 Contact Zones
Daniel Kötter 2014-17 Establishing Shots
Daniel Kötter 2017 Chinafrika. mobile

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Download the complete PDF (de/eng) here:

CHINAFRIKA_BOOKLET_WEB

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Images above by Wenzel Stählin

Images to the right by Nara Silva das Virgens Merlitz

OPENING: JUNE 1st, 7 pm
EXHIBITION: JUNE 2 – Ocotober 8, 2017

at Museum for Contemporary Art Leipzig 

The goal of the artistic research project Chinafrika. under construction is to trace cultural relationships between China and Africa and to portrait a global process, which is sure to fundamentally alter no less than the notion of Europe. “Chinafrika” is a symptom of the de facto ongoing provincialisation of Europe.

The project is concentrating on the Copperbelt in northern Zambia and the South-Eastern DR of Congo as a hub for the extraction and the transport of raw materials, as well as on the megacities Lagos (Nigeria), Johannesburg (South Africa) and Addis Ababa (Ethiopia). In China, it is focusing on the Pearl River Delta with its African trade centres in Hong Kong, Guangzhou and the free-trade zone in Shenzhen.

African, Chinese and European artists and curators, theorists and protagonists reflect on new developments and phenomena in the fields of artistic practice and visual cultures, everyday social life, as well as architecture and urbanism. Working Groups in Guangzhou, Johannesburg, Lagos and Lubumbashi develop shared theoretical and artistic positions in order to generate local research, theory and art as well as a local debate. These will be presented in a mobile “travelling construction site” format in workshops and conferences, exhibitions, performances, film screenings and publications.

The presentation Chinafrika. under construction in Leipzig’s Galerie für zeitgenössische Kunst (GfZK) is the central exhibition of the Chinafrika project. It features a mix of contributions from Africa, China, and Europe based on more than twenty artworks specially prepared for Leipzig, findings from the four Chinafrika Working Groups and already existing works.

Participants’ diverse artistic and exploratory works are structured and explained through a curatorial narrative (Establishing Shots, Contact Zones, interviews, materials, frequently asked questions) in terms of both substance as well as scenography. Chinafrika. under construction unfolds a spatial terrain spanning three continents, addressing interconnected spheres of the economic and cultural dynamics of the “Chinafrika” phenomenon, organised around the themes of Explosion/Exposition, Resourcing, Shipping, Factory, Shopping, Urban, Transit, Exchange, Future and Trailer.

The pavilion structure of the challenging exhibition space is outfitted with mobile walls, interweaving the various themes into a spatial scenario with multiple potential pathways through which to explore the exhibition. Simple supporting structures criss-cross the pavilion, while exhibits, objects, and various devices are unfolded across the space and “time zones” of light traverse the room. In this sense, the building’s flexible, deconstructive architecture characteristic of late Western modernity, now plays host to works of the current “Chinafrikan” era. This implicit antagonism simultaneously represents the core of the project itself, transformed into a spatial experience in the context of the exhibition.

The exhibition Chinafrika. under construction is curated by Jochen Becker (metroZones, Berlin) together with Julia Schäfer (Museum of Contemporary Art, Leipzig) and Daniel Kötter (Berlin). The working group leaders are Huang Xiaopeng (Guangzhou), Michael MacGarry (Johannesburg), Patrick Mudekereza (Lubumbashi) and Folakunle Oshun (Lagos). Berlin-based architecture firm ifau (institut fuer angewandte urbanistik, Berlin) and designer Markus Dreßen (Spector Bureau, Leipzig) are responsible for the exhibition’s design.

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Program

Opening June 1st
7 pm: Introductory Talks by Jochen Becker (metroZones) and Franciska Zólyom (GfZK)
8 pm: Guided Tour with the Curators and Artists present

June 2nd
5-7 pm: Guided Tour with the Curators and Artists present
7-8 pm: “Making of”– Panel Discussion with the curatorial Team and the Working-Group-Leaders
8-9:30 pm: Round Table Chinafrika
9:30 pm: Open-Air Screening with Bodil Furu  

June 3rd
12 noon – 2 pm: Guided Tour with the Curators and Artists present

Registration not required.

The curatorial team and various artists are expected be present:

Mansour Ciss Kanakassy, Bodil Furu, Anawana Haloba, Christian Hanussek / Gerda Heck, Sam Hopkins / David Lalé, Taiye Idahor, Daniel Sixte Kakinda, Folakunle Oshun, Eric van Hove, Yu Shen Su, Payne Zhu

Chinafrika. Sample
JUNE 3–18, 2017
Saturday 17.00–23.00, Sunday 14.00–19.00

China and Africa constitute the two driving forces shaping globalisation’s economic, political, and cultural future. Following raw materials extraction in the Central African Copperbelt and production in the factories of China’s Pearl River Delta, a multitude of electronics find their way to Lagos’s Alaba market – the largest distributor of Chinese electronics in all of West Africa – in the suitcases, boxes, and containers of Nigerian merchants. Once used, most products are discarded in African e-waste dumps, sorted for salvageable materials, and shipped back to China. Yet what role does Europe, the continent that has long seen itself as the centre of the world, play in this process?

Curator and urbanist Jochen Becker has researched the cultural effects of the economic and political ties between China and the African continent together with filmmaker and director Daniel Kötter since 2013. Their exhibition, Chinafrika. under construction, will be featured in Leipzig’s Galerie für zeitgenössische Kunst from June to September 2017. The performance Chinafrika. mobile was created especially for the Kunstfest Weimar. Allyn Gaestel lives and works as a journalist in Lagos, Nigeria, contributing to the Chinafrika project as a member of the Lagos Working Group. Together with Daniel Kötter, she conducts research on the lifecycle of mobile phones in China, Nigeria, and the Democratic Republic of Congo. This research continues to produces texts, images, and films, which are regularly exhibited in ever-changing constellations.

DAS MÜLLPROJEKT
Festival for Design- and Art Theory

03.–18. JUNE 2017
On Saturdays 17.00– 23.00, on Sundays 14.00–19.00

Exhibition in Containers and Outdoor Happenings

RECYCLINGHOF ST. PAULI HAMBURG
June 2017: the recycling yard in Hamburg, St. Pauli, turns into a stage for 42 hours in the course of 6 days.
Waste will be presented and debated in the form of objects, videos, lectures, workshops, artistic interventions, performances, and real junk in containers.
The project was conceived by Nana Petzet (artist), Harald Lemke (philosopher), Anke Haarmann (artist, design theorist) in cooperation with Stadtreinigung Hamburg (municipal waste management). It is a cultural initiative and exhibition platform on the topic of waste involving local players and international guests.

With works by:
Ravi Agarwal (Delhi), Liz Bachhuber (Weimar), Dellbrügge & de Moll (Berlin), Katja Gastel (HH), Anke Haarmann (HH), Tesfahun Kibru (Addis Abeba), Daniel Kötter / Allyen Gaestel (Berlin / Lagos) in cooperation with Jochen Becker (Berlin), Kerstin Kuchta (HH), Harald Lemke and Anja Bischoff (HH), Helmut Maurer (Brüssel), Nana Petzet (Hamburg), Christian Unverzagt (Heidelberg), Irene Vögeli (Zürich), Sonja Windmüller (Hamburg), Till Wolfer/N55 (HH/Kopenhagen) and a fashion show

www.müllprojekt.de
www.wasteproject.org

China and Africa act as driving forces for the economic, political and cultural future of globalization and the mobile phone is their important link. Starting with the extraction of raw materials in Sambia and Kongo to the production near the Chinese Pearl River Delta, devices are moved on to Alaba market in Lagos, the largest distributor in West Africa for electric devices produced in China. After use, they are left at African electronic waste deposits. What role, however, is left for Europe? By means of an artistic format ranging between documentary, city tour and performance, artists from Africa, China and Germany open a perspective on the Chinafrican future of capital. Since 2013 Jochen Becker and Daniel Kötter have done research on cultural effects of the economic and political connections between China and the African continent. Their performance Chinafrika. mobile. has been produced especially for Kunstfest Weimar.

Thursday  31.08. /  5 + 6 pm
Friday 01.09. / 5 + 6 pm
Saturday 02.09. / 2 + 4  pm and 5 + 6 pm
Sunday 03.09. / 2 + 4 pm  and 5 + 6 pm
Meeting point:  E-Werk-Gelände, Am Kirschberg 4, 99423 Weimar, Germany

Exhibition at E-Werk-Gelände
Vernissage: Sunday 20.08. / 2 pm
Opening hours: 25.8. – 27.8.  and 31.8. – 3.9. / 2 – 8 pm

Sun 29/01/2017